Monday, December 12, 2011

The Field of Kings

There were three cows sitting out in the field, about two hundred yards off, under the shade of a nearby oak tree, the only tree growing in the apparently limitless field.

Our feet moved slowly, probing across the ground in careful circles, not eager to stumble upon any nesting serpents. Our eyes were on the distant cows, who with each hesitant step grew closer, so much so that now we could both clearly distinguish a subtle grunt of breath coming from their massive bodies. My compatriot, a shade older than myself at twenty-eight looked at me nervously, in his peculiar glance that seemed eternally amused, despite the severity of the situation.

The dark was a sort of complete yet taunting shade that made shapes visible but indistinguishable. 
When the ground began to rumble, we could see a blacker region in the great surrounding black region coming our way. 

A hushing grunt of breath as the bull strafed us at what seemed like five feet but was probably closer to twenty.

We decided to leave the field as fast as we could, forgetting our former fear of serpents.

The paltry bounty of our great mid-night hunt was a singular, pathetic, two-day-old cap. We felt like kings when we stumbled upon it. By the time we were home, it was already brown and gooey. 

I tossed it in the back yard and every time it rained after that, I would check the spot to see if a troupe of king-makers had sprung through the peat in the middle of the night.


Friday, December 2, 2011

Fiction friction *or* "hello free-time, what's up man? We haven't hung out in a while."

So as this semester winds to a gentle pulsing close, I'm left with an odd feeling. While I was packing this evening, this song from Deltron came on Pandora




I remembered hearing this song at the beginning of the semester, what seems like a decade of small occurrences ago and being floored. I was in a foreign place, surrounded by complete strangers and this song somehow stood out in all the chaos as being just the right sound for where I was mentally.

When I left for school, I left with the assumption that I would continue with the NOVEL once I was on break. I decided that I wasn't going to work on it during the semester because I needed a break from it.



Looking back, it hit me that I stopped because I have writer's incontinence. There were plenty of times over the semester when I had nothing better to do than write, but I usually ended up doing something else. Now that I have all this new found free time, I have no choice but to get back into the trenches.

I can't escape it. It is...my destiny. 



Something that dialates my pupils...

The work of Saul Bass

I think I might need to add another slot to my xmas list. 

This is encouragement to finish my series about The Lost Art of the Opening Credit Sequence.

Tuesday, November 29, 2011

5/4

It's a pentagon, dancing a formal waltz, turning at intervals.

12345
12345
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It's so much fun to play because it's so weird and odd. The extra beats make room for all kinds of craziness like ghost notes.

I love ghost notes, especially in a shuffle. But I digress.

Here is the song that got me hooked on jazz and the coolest time signature there is. Also, Joe Morello was a fucking beast on the drums. He knew his rudiments like a carpenter knows wrench sizes. John Bonham was undoubtedly watching.

Sunday, November 27, 2011

Debussy

Ahh, the beauty of a liberal arts education!

I was studying for my humanities final last weekend. We're required to memorize several pieces of music and a few keys facts about them. I came across Clair de lune and was stopped dead in my tracks.

Being a fan of classical to begin with, I was familiar with the title but I couldn't place any music with it.

The version was the orchestral arrangement. I'd only ever really heard it on piano. I was smitten. This is what love sounds like...

As well as pretty much every love theme from every movie ever made.

I don't know which arrangement I prefer--the piano or the orchestral. They both have their merits.

But those big, fat romantic chords w/ a full string & woodwind section backing--oh my.

Monday, November 21, 2011

If anyone needs me...

I'll be at Senior Tadpole's getting a margarita made in my mouth with a girl named Krindy from Sacramende.


OT: a preview of coming attractions. I'm working on a blog series about the Lost Art of the Opening Credit Sequence. I thought this was a brilliantly clever idea, if not somewhat lo-fi in its realization

Saturday, November 19, 2011

Helplessness Blues

Who wants to rock...sensibly?



You go on your own where ever you go...Reminds me of Huxley's Through the Doors of Perception.