Friday, September 21, 2012

This pleases me

Well isn't this just like Christmas? A new Griz' album and it's just fan-damned-tastic



But, hold up a minute there Mac, cause that's not all you're gonna get.

I was bummed to hear that the chances of a new Department of Eagles album are low, at least anytime soon. But holy cannoli! Daniel Rossen, of DoE and Grizzly Bear fame has a solo EP out now.

Yeah. I'm just thrilled senseless over here, folks.








Sunday, September 9, 2012

A Space For Rent*

For so long the vacant
domicile, which
discerning eyes
do scrutinize
has sat
alone.


The walls that echo
cold and damp
sturdy for your
picture frames;
waiting. 

New light blasting
away moldy
history, melting
dust, clearing
space.

A space for rent
rent or own
ask the bank
Its your new
home. 







*poetry: not my best form of artistic expression.

Sunday, September 2, 2012

Realism VS. Irony: FIGHT!

In our first class for Fiction II last week, the professor encouraged us to speak up about what kind of stuff we write. This took me aback. I wanted to say Satire with gusto but apart from the fact that someone else beat me to it, I was a little troubled by the fact that I don't actually consider myself a satirist. I don't think I'm familiar enough with the Great Modern Way to adequately lampoon it. 

So I was stuck there in the back of the class experiencing my first real crisis as a writer. 

What the hell do I write?

I've been working on a novel for a few years now that feels satirical but that almost seems too quaint of a description...like I'm either bastardizing it or being way too ambitious. One or the other.

I know, right? You can see how this difference is ghastly and confusing to someone who is still unsure whether or not they even deserve the title "Writer" with a capital "W."

Over the summer I had the extreme fortune of stumbling upon a copy of Cathedral by Raymond Carver. I'm not saying I love the realism but I do find a bit of comfort in the simplicity and directness of his plots. Carver didn't mince words or bother with glided edges, like a Hemingway on food stamps. This was real life in snapshots. And it caught a lot of people's attention apparently.

But then, who doesn't love Irony? Maybe it is a vulgar cop-out to lean on the concept but it's just so damn fun, especially when it works really well. I guess that's the English major in me--the one who derides criticism but still can't help analyzing and breaking down. I get a cheeky sort of pleasure out of out deconstructing particularly thorny ironies.

And so I come back to the challenge that has been working over in my mind since that first class meeting. What do I write? 

Every writer's style changes consistently with time. It's unavoidable. But two ideals as opposite as Realism and Irony seem to have no place in the same cannon. But...as has happened before...I might be wrong.

Tuesday, June 12, 2012

The Woods--A (scary)(?) Story


My first foray into scary stuff. 


The Woods

by John Caudill



April, 2nd

Hiker went missing today. Out at Longleaf Preserve, off 44. 28 year old Christy Machen. She left from DeLand earlier in the week on Thursday and evidently, she'd been hiking through the back-country all weekend. Was supposed to be home and into work as a sky-diving instructor on Monday. Never showed up for work yesterday morning. We had the search parties out there today.

Why would a girl of 28 go hiking out there through the pine duff and palmetto blades by herself? There's miles and miles of trails out there. Probably close to three-hundred miles of fire roads and game trails intersecting each other like snakes in a pit, and only about 40 of those miles are blazed for recreational use. According to her supervisors, she was doing some camping to get in shape for a bigger hike she was planning over the summer.

I saw a picture of the girl. She looked fit and strong. One of them short little bob-cuts and a stout frame. She looked like she was the type of person who had trouble standing still for any period of time. Maybe ex-military. The kind of girl who drank beer and lifted weights at the Y and knew how to field dress a fish. Not the type to get lost out on the game trails.

April, 3
Still no sign of Christy Machen. We have close to forty, strafing the trails for any signs and additional air support making lines.

It's a lot of land out there to get lost in. Almost hundred thousand square miles of converted timber land. Back in the 70's before the sprawl from Orlando started creeping north, this was all just pine timber forests and cattle fields and cypress dome swamps. The big stretch of land connects DeLand inland and Smyrna over on the coast. There ain't nothing to see out there. Once you've seen one pine tree, you've seen 'em all.

It's been raining all week. Overcast skies and muddy trails. I come home smelling like a hog pen. Claire don't much care for it but she's watching the news like everyone else, waiting for something on the Machen girl and she just tells me to go wash the stink off and come right back down and hold her as soon as I'm done. So I do.



April, 4

We found some stuff today. Strange thing too. Searchers had maps and notes proving they'd already searched the areas where we found stuff. It feels funny, the way it all happened. I'm beginning to get an uneasy feeling about this case.

We found a sneaker, still laced and tied, sitting in the center of the green trail out towards I-4. Just sitting there, pretty as can be, like someone chucked it off and left it behind not ten minutes before we were there. Kind of cock-eyed right in the center of the trail. We found Christy's driver's license propped at the base of a tree about a mile in from the 44 trail head parking area.

The damnedest thing was finding her backpack up a tree, just sort of dangling from a cypress branch about sixty feet up. There was no way a human could have climbed up the straight trunk without some serious equipment. It took us three hours just to get the thing down.

Inside, we found a bunch of hiking stuff—clothes and food and water purifiers. And stuffed down at the bottom, an empty video camera carrying case.

I don't know much what to think anymore. It feels like somebody is playing with us. We called out the national guard for tomorrow morning to do sweeps. I'm going to speak to Christy's father in Lake Mary.


April 5

Went out to speak with Richard Curtis, Christy Machen's step father and only immediate relative in the area. Curtis was all torn up. His face was blotchy when he answered the door, like he'd just been crying before I got there. Said he'd known Christy since she was three. Married her mother right after he left the service and stayed with her until the cancer took her a few years back. There were pictures all over the living room of Curtis and Christy out at New Smyrna, surf boards propped between their arms. A picture of Christy with her mother.

Curtis had a solid alibi and wasn't really a suspect. He was the one who called in the report when Christy never checked in on Monday. Said she always left a schedule with him so that if she got lost, he'd know where to look. At this point, he started crying for about ten minutes.

I asked Curtis about the camera case we found in the pack.

Christy would always carry her video camera on her adventures.

Curtis said that if we found the camera, maybe we'd find Christy.


April 6

We found the camera.

It was in a culvert, wrapped in a plain blue shirt. One of the boys dug it out of the slimy ditch while a bunch of gators watched from the other side. It was getting late in the day and most of us were close to giving up.

The camera was dead but appeared to still be in working order. We took it back to the station and hooked it up to the computer to see what was on there.

Chief didn't want everybody watching at once so he told me and Scraggs and McCormac to come back to his office with the tech guy and watch the thing.

The tech guy said the recorder had only one video file and it was two minutes long. He hooked it up to the TV and the whole screen went scratchy for a few seconds. When the file started, the tape was of the woods. The camera was on its side, on the ground. Grass was obscuring most of the frame but it was clear enough what we were looking at.

It was early evening. It looked like the sun had maybe set not but a minute prior. The lens was pointed down a trail that was dark at the end. I say a trail because it didn't look like anywhere I'd been out at Longleaf Pine. The whole trail system out there is rigged as old logging roads, so that all trails are two tire tread marks next to each other for trucks to go over easier. Most of them are overgrown these days.

But this trail on the video wasn't at Longleaf.

It was just a single line trail pointing off into the woods, where it looked like it turned right. The grade was dark around the edges and white in the center, like rain had just washed mud over sand. The only sounds coming through the speaker were of the night—crickets and frogs. Peaceful as can be.

Then the screen went fuzzy and the picture kept spinning—the camera was kicked for a field-goal.

Everyone in the room held a collective gasp. I felt like I was going to melt into the wall.

The camera landed right-side up, on the trail, looking the other direction.

This was no place I'd ever seen.

The image was unmistakable. There was a bright little house off the side of the trail. The whole thing looked like it was made out of windows and brilliant yellow light was spilling out of those windows. I couldn't make it out—it was the strangest little house I've ever seen. It looked like one of those Santa's workshop things they set up in the park downtown. It was just so damn crazy. My back felt like it was turning to water from all the gooseflesh and chills running down me.

There were pine trees in the back ground but they were mammoths, gripping 100 feet into the sky.

The frogs and crickets moaned in a steady cadence for a few seconds while the camera rested in its new position. Then the speaker screeched the most terrified, hopeless, painful human sound I'd ever heard in a long vowel sound that made the whole room grow small and freezing cold. The scream lasted for several seconds in one, steady punch before it just completely, instantly stopped. The image of the strange little house, glowing in the background never changed.

The image went fuzzy again as the camera was kicked into the brush. The screen went black and the camera whirred to a conclusion.

I don't think as long as I live I'll ever forget the silence in that room, after the tape stopped. It was like the whole world stopped right then, too. Just for a second.

The Chief leaned back in his seat and the creaking sound made us all about jump out of our skins.

The other detectives and I were instructed not to speak to anyone about this.

I came home tonight and can't sleep. So here I am...


April 18

Nothing new on the Machen girl. The geeks over in forensics are looking at the tape, trying to find clues in the footage. I don't think they'll find anything though.

I was out at Longleaf for several hours this morning. It started raining on the drive out and didn't let up for the rest of the day. All this rain has made tracking impossible. Half the searchers are giving up by the end of the week. The other half's leaving the end of next week.

Things are pretty grim in that respect. There ain't much way a person could survive without food or shelter for this long out in that wild.

But something doesn't feel right out there. I can't say for sure. But looking at the video, seeing that single line trail—I don't think Christy is at Longleaf. It's all retired timber land out there. Most of the trees ain't more than thirty years old. The pines on that video were pushing a hundred feet tall. It takes a pine tree almost a century to get that tall. When I told this to chief, he sat me down and called in the tech guys again.

They set up the video and chief asked me to point out the hundred foot pines to him, so as he could make a note of it for the investigation.

But when the tape started playing, none of it was there. The camera was still in the grass, on its side and it was still dusk and the frogs and such were making their racket but damned if no kick ever sent the camera flying nor no scream of a thousand years of pain and suffering did come screeching through the tiny little speaker. I stared in complete disbelief. The tape was just a sideways picture of a single line trail at dusk—about a minute's worth of footage all told. And then the camera shut off. You couldn't even see any tree tops.

Chief looked at me for a minute and then asked the tech boys to take a smoke break outside.

It's hard to imagine someone you've known almost your entire working life, someone you've trusted with your very survival more times than you can count turning so completely against you so quickly. Chief looked at me long after the tech guys had left with the sort of steely gaze I'd only seen him shoot at perps and no-goods.

I looked to my hands and explained exactly what I remembered seeing on the video the first time we watched it—the camera flying off into the brush like some monster had kicked it right before grabbing the Machen girl and making her scream like her soul was being sucked through her eyeballs. The giant trees in the back, serving silent witness to incomprehensible horrors taking place just off-screen—things I might never understand or could never understand, even if I'd wanted to.

When I left this afternoon, I turned in my badge and my gun and started contemplating this upcoming forced holiday with severance and what it means to my career as a law enforcement officer, because that's what chief told me to do.


April 25

It's been a few days since that whole mess with Christy. Still nothing on her. Volunteers are still searching out at Longleaf but from what I gather, there aren't enough of them to cover any sort of ground. I went out there shortly after the start of what Claire calls my “pre-retirement” and did some volunteering myself.

Honestly though, I can't say it felt like we were doing any good. Wherever Christy Machen is, I don't think it's at Longleaf.

There is something else. Something I almost don't even bother writing for fear of giving it too much recognition—a dream that I've had the last couple of nights. Something—horrible. The type of thing that could only exist in a dream.

But it's not even really a dream. It's more like images that fall together, like a slow-speed projector—only with slides missing. And when I wake up, but before I can open my eyes, the whole thing just sort of creeps back into the abyss up there and I forget anything more concrete than it's occurrence.

I'm getting damned restless here without anything to do. I made Claire cry the other day. She said I was being a bear of husband lately. I can't say I don't agree with her. I'm just not cut out for doing nothing.

April 29

I'm still having that dream. Recurring dreams, they're called. They usually represent suppressed memories or some jazz like that.

Went out to see Richard Curtis again today, unofficially. I'm not really sure why I went. When I got up to the door, it was open slightly. I called out but no one answered so I went into the house. Curtis was nowhere to be found. I searched every room in the house for some kind of explanation. I turned over mattresses and examined plumbing. I raided closets and dresser drawers. I finally found myself exhausted on the couch in the living room, gazing covetously at Curtis' big-screen high-def television. Then it hit me. Check the TV. I turned it on and the screen went blue and then fuzzy with static. I stepped back to the couch and slowly sat down. The tape appeared to be blank—nothing but fuzz. I hunted for the remote and fast forwarded through several minutes of tape before an image appeared. It appeared to be an areal view of a town on the coast. I thought of Smyrna but this didn't seem to be Smyrna. The buildings were too tall. The camera seemed to be attached to the wing of a small plane or a hang-glider or something. I could hear voices but they were far away and scratchy—possibly from the wind. It was hard to tell. The image went black and then showed a beach—now the camera was being held by someone—a woman, presumably Christy Machen. She was laughing. Curtis was standing by a hang-glider, shielding his eyes from the sun and scanning the beach-line. Christy was talking about the weather when the image went black again. When the screen came back, it was only with sound—a very faint, scratching sound. I turned up the volume and scooted to the end of the couch. There was something on the screen...it was just faint pin-pricks of light. The image started to settle—I could see now that it was trees. This was the forest at night. Someone, presumably Curtis, was out at Longleaf filming after dark. No voices or movement, just the gently swaying pines in the dark night. The image went dark and the television turned itself off. I tried the remote but the TV wasn't having it. I stood up and tried manually with no luck either. That's when I heard the car door outside.

Someone—a nosy neighbor had called the fuzz and now I was trespassing. I showed my badge to the rookie patrolman and drove back home, trying to make sense of the whole thing.

May 2
Had a nightmare again last night. Worse than the others. I damn near had a stroke when I jumped awake.

It was the kind of dream most folks don't have once they leave childhood. The sort of thing that just haunts you all morning. A dream that sends you awake in a crash of adrenaline and fast breathing. Makes you want to stay in bed for a while, coiled in your quilts, until you hear other human sounds that will remind you of what it's like to be back in the human world. Well, I forced myself out of bed and shook my head—took stock of myself in the mirror and wondered what in the hell was going on in that brain of mine. But I looked away from the reflection—almost ashamed at what I'd done to myself. The thing followed me to the shower and made me feel the need to peek out behind the curtain every few minutes, just to make sure nothing was there watching me. It sat there across from me while I was drinking my coffee like death come down to talk about the weather. It just wanted to keep showing me, over and over, that moment sitting up there in my head when the dream became a little too real and the fast breathing started kicking in.

Nothing Claire said made any sense. I sat there, hunched and forlorn, watching her read to me from the paper—blathering nonsense between dainty bites of toast. I stumbled around the neighborhood behind the dog twice today. He shit in the neighbors yard and I couldn't bring myself to clean it up. That's a littering ticket—I've written them before.

But something is wrong. This thing is like a goo that's all over me. It's just this thin little film that no one else can see but it's there, blocking out the sunlight and giving me gooseflesh all day long. I can barely even sit here and write this. Maybe tomorrow when I wake, I'll look at this nonsense and wonder what all the fuss was about?

Maybe...if I wasn't so afraid to go to sleep.

October 22

How long has it been? Almost six months. Shit. They found Christy Machen yesterday. A father and son were out hunting on one of the game trails near where the interstate slices through the old northern pine-flat timber lands in the extreme far corner of Longleaf—over there near where the Ocala Forest kisses the preserve's edge. Suppose to be some kind of corridor for wildlife or something. They were out there hunting for boar real early in the morning, probably before the mist had melted off and she was sitting there propped up against a pine tree on the other side of a clearing. The father said at first he didn't know what he was seeing—said he couldn't even recognize whether it was a person or not because it was just so odd to see anything like that out there in all those woods.

I heard all of this second hand from Scraggs. I haven't been back into work, even though the leave of absence ended weeks ago. I'm realizing now that Claire was probably right when she called it my pre-retirement.

It was strange but I knew why he was calling as soon as I picked up the phone. I could hear it on his lips like a curse word. He didn't mince any words either—got right to the heart of the matter. Said she was just sitting there, still wearing her clothes, like she'd sat down for a rest and had never gotten back up again. What he said was really strange though was that she hadn't started to rot yet. She was still fresh even though the coroner found out she had been dead for several months. Nothing had taken a nibble—not even the maggots.

He said what really got him going though was how her eyes were still open and moist looking. Said they were real peaceful looking like the eyes of most dead folks but that they were wide open and clear. This isn't what you'd call a huge homicide area but we've had our fair share of murders in town. Usually domestic violence type stuff. Drunks getting too liberal with their fists and so on, as is common in a poor little town. Well what I mean is that both Scraggs and I know what death looks like. The way a body can get after only being dead even a short time. A few years ago an elderly gentleman with Alzheimer’s walked out of his daughter's living room and just up and disappeared. He turned up in the copse of trees where the homeless sometimes camp out behind the old train yard. Had been dead for a few days and already, just from being out in all that Florida heat and humidity, his body had started to decompose something fierce. You could smell it before you could see it type of thing.

Well, Scraggs told me there was no smell to Christy. No decomposition. She might have been in a trance but for the fact that her heart hadn't been pumping in several months and evidently her blood and all her insides had turned to molasses.
What was strangest of course was that there was no evident cause of death. Exposure would have been my best guest but evidently the body didn't show any signs of that at all. The coroner, Ed Hamilton—good honest guy who've I've known for years—finally just put down heart-attack for lack of a better explanation. I don't think he or anyone else would believe that a fit, strong young girl with no family history of heart problems could just keel over from a heart attack one day without warning. Probably more likely that something must have made her heart stop beating.

Foul play is still on everyone's mind—how else could you explain all the strangeness? But there's none of that absolutely necessary physical evidence to support the suspicion. Scraggs says they wouldn't even know where to begin an investigation without a shred of evidence.

I guess it goes without saying but I'll say it anyways because I can't stop thinking about it—this spot where they found her was an area that had been combed over several times. I myself had been out there with the search and could almost picture which clearing it was that she found was in.

October 30

The dreams have started again. They're clearer now though when I wake up, as in I can actually sort of remember some of the stuff that's going on. I don't like to, though. After all, they're just dreams, right? Just stupid shit that you're mind is stuck on because it's got nothing else to do while you're sleeping.

I saw her eyes just before I heard that scream again—I can't even barely get this out. I've got a glass of whiskey sweating almost as much as I am and it's not making it any easier. I don't want to describe the sound but it's what makes me wake up—the screaming sound. Every time I shoot awake, it's because of that scream, just like the one I thought I heard on the tape last April. Such a horrible, sad, suffering sound. But there is something behind the sadness too—some kind of forceful thing—a sort of powerful echo that sounds infinite and hopeless.

October 31

I

I should have known. You don't go out to the woods on Halloween. Why would you do something like that?

Well I did. I'm a fool. A drunken fool.

I went out to the woods today. I just got home. All the lights are on. I turned them all on and locked the door and loaded my gun and poured myself a triple and am sitting here at the desk trying to get this out. Claire is already asleep in bed. She doesn't ask where I go anymore. Just assumes I'm down at the watering-hole like a good little wifey.

Christ why did I go out there? I don't know if it's because I'm just drunk but I can't recall my rationale for wanting to drive out there this afternoon.

Should have known better. Should have known it was too late in the day already—the sun sets at five o'clock for crying out loud. But but I couldn't stop. Shit I couldn't stop walking. As soon as my feet hit that trail I was gone. It was like there was a magnet out there somewhere in the dark, quiet swamp dragging me in deeper and deeper, past the never ending halls of perfectly lined up timber pine and the exploding green palmettos. I'm not a young man anymore. I've been polishing a seat with my ass down at HQ for far too long. I was winded and ready to stop before I even got but a half a mile out there. That's when I realized I was going so fast. I was basically jogging. Where the hell did I think I was going that fast?

Well the sun just kept getting lower and lower and the sky was getting paler and paler and I was just going deeper and deeper into those cursed woods.

I guess it was probably about sundown when I hit the river. I don't have my map of Longleaf anymore but I know it almost by heart after having gone over the whole thing so much and damned if I can remember any river or stream out there. There are creeks and culverts and swamps but none of the trails actually cross a river or stream.
But there it was. Just a quaint little stream trickling on by like it had been there forever.

So I crossed. Got my feet soaked and all but I didn't care. I don't seem to remember feeling much of anything. I do recall that before I crossed, I noticed that the trail which continued on the other side of the stream was not a double line but just a single line, and that it turned off and disappeared into a stand of cabbage palms and live oaks on the other side.

But I don't remember what happened after I crossed. I know I stopped on the far bank for a moment and looked at my shoes and the next thing I knew I was walking through the cabbage palm and live oak hammock, still on the single line trail. It was getting dark now and the brush was rustling with crickets and critters but I wasn't scared. I wasn't anything but walking forwards. I just couldn't stop.

And when I hit the end of the hammock, I wasn't the least bit surprised that I was in another pine forest. Only the trees weren't lined up in rows like in the timber lands. These were the giants, swaying in the cool breeze under the glittering stars. I recognized them immediately.

Up ahead there in the fading light was the little house, glowing like a million candles behind glass. And it was strange but as soon as I saw that house, it was like I got snapped back to reality. I stopped walking and looked at the house and realized what I'd just done for the first time since stepping onto the path back at the trail head.

And then in an instant the lights went out and it was pitch dark night. No evening or dusk. Just right to dark like someone flicked a switch.

And so I was out in those woods in the pitch dark, terrified, feeling so horribly naked and alone. The sounds of night started droning in, very slow at first like the way a diesel train engine goes from a whisper to roar. The frogs and crickets started out low and soft but then they were getting louder and there was some kind of pattern there and I swear to god and my own grave that all of the millions of groaning sounds came together in unison and formed a single steady sound, like a voice—and it was laughing.

The cool air on my neck was like finger nails on my skin and all it had to do was blow a little before, without warning, I emptied my bladder right there. I ain't never done that before.

I ran.

I turned and ran as fast as I could away from that house, back the way I seemed to have come. Now it was really dark and I couldn't see much of anything but so help me there were animals all along the trail watching me. I could see their horrible yellow glowing eyes reflecting the pale moonlight. Hissing snakes and snarling bobcat that didn't run or skitter away when I passed but more seemed to curse me like I was something they'd never seen before. A big old black bear in the middle of the trail just standing there. It looked at me and snarled and then turned tail and crashed off into the brush, making all sorts of racket, like I was death chasing his soul.

I got back to the car in a daze. I'm not sure how I got home because I have no memory of the drive back. Even as I write this absurdity now, the memory fades.

November 3

Claire isn't home and she hasn't been since I went out there. I woke up on the couch the next morning and she was gone. The bed was unmade. Her car was still in the drive way. No note. No phone call. Nothing.

I've been sitting here, drinking the rest of this Jameson, trying to figure where she got off to.

I think I'll go out there again and see if that's where she went. I'm writing this entry to let anyone know who might come looking for us that that's where I am—out in the woods.






Tuesday, May 29, 2012

What's Next?


Sylvia Brock, for the first time in the year and a half since she's known him, is not looking forward to meeting with Edwin Still Davidson. Their meeting is scheduled for lunch at Perry's Cafe, an upscale brunch/dinner kind of place situated between the 1 and Carmel Bay just south of Monterrey. She took a tram up from LA that morning and arrived to Carmel early enough that she was able to walk off some of her tension on the beach. She walked north past Pebble Beach all the way to Stillwater Cove before she realized she could only walk so far before she had to turn back and face her fears. How long could she have expected to put off the inevitable anyways? Was she really even considering keeping on walking all the way north to Oregon and maybe eventually Canada and a name change and a new life or was she just hungry and a little tired and eager to be done with the whole mess? It wasn't like she was giving Edwin a death sentence or anything. But it was definitely troubling news to her that the big-wigs at McCarthy and Sons were growing antsy and impatient with their rising young star. A tiny little condition of the contract Edwin'd been so cautious to sign had stipulated that a second work (in any form and length) would be required no more than four years into the life of said contract. OtRoL was quickly coming up on its fourth anniversary and Edwin was still riding the crested wave of success on a more or less daily basis, leaving Sylvia to conclude that Edwin had written nothing suitable for following in the mammoth wake of OtRoL. She'd known from the very moment she'd read the contract that the stipulation was a ridiculous joke and extremely offensive to any artist with even the minutest shred of self-worth but that also the ridiculously large sum of currency that McCarthy and Sons offered Edwin seemed to more-or-less overshadowed the requirement of a new piece so soon, at least considering the council of Edwin's obviously inept lawyer. Under normal circumstances, Sylvia could understand a publishing firm requiring such a stipulation given that most new authors either had a tremendous back-log or were so enthusiastic about their new-found success that popping out another quick little piece in a few years was not at all unreasonable to expect. But, as Sylvia had come to notice very quickly in her relationship with Edwin, expecting anything was expecting too much. The man was a basketcase wrapped in a nutshell of psychosis. 
 
Sylvia approaches the parking lot where she walked onto the beach approximately three hours prior. She is hungry and tired and beginning to wonder if the meeting should be rescheduled. But her superiors are waiting. There is much at stake here. Sometimes, at night, Sylvia wakes up in a cold sweat in her tiny little studio, thinking about her life thus far; thinking about the place that she has carved out for herself. There are thoughts that she chooses not to entertain for very long. But for their limited residency, these thoughts are powerful enough to insert the gist of their message on Sylvia—she wonders how much of what she is doing is within her control. She wonders—how much of this life is her's? This is all she has ever wanted, this shot at fame and glory. Just a quick glance at her bank statements shows her that she is now a part of the big leagues. But is it really her's to begin with. What is she doing here? Who is she but a representation of something else? There are painful reminders that grab her gut when she is in that euphoric half-sleep that remind her that without the basket-case, she would still be nothing more than a glorified proof-reader at her Godfather's firm, making low five figures and eking out a living in one of the most overpopulated and expensive cities on the planet. It all seems so farcical to her, the idea that her entire career could be based off of the success of someone else. She might role over in her half-sleep and try to find a more comfortable spot in her king size bed, somewhere where the thoughts didn't invade, somewhere where sleep was more important than reflection. And always she would fall back asleep. 
 
The parking lot. Beyond is Perry's and the meeting. Why is she so bothered? Questions, always questions running through her mind. The sound of shore birds and the low thunder of the crashing surf. These things barely make an impact. Her mind is racing and all that exists in the real world is the ground directly in front of her. An old fisherman smiles at her as she walks up the boardwalk towards the parking-lot. He is missing several teeth and there is a bucket in his hand, a pole hanging over his shoulder. She has to force herself to notice these things, to stop and take consideration of what is going on around her in the world. The old man walks out to the ocean and sets down his bucket maybe twenty feet from the water. There are clouds rolling in from the west. Perhaps a storm later today.
 
Sylvia has stopped on the boardwalk leading from the beach to the parking lot. She is gazing at the ocean, her hand gently stroking the gnarly wood of the railing. 
 
She is trying to psych herself out or up or whatever. She is trying to tell herself that none of this really matters. That all that matters is the ebb and flow of the tide, the constant things in the world. 
 
There is a news van parked outside of Perry's. He must be there, waiting for her. Probably fending off would-be admirers to the chagrin of the waitstaff. Part of her is envious. A large part that has fangs. It could be her, in there now. The roles could be reversed. It's stupid to think such things. Pointless even. But she thinks them just the same. Keeps the thoughts hidden away in a deeper part of her mind, below the other things she is ashamed to think of, the things she can't help but entertain because they force themselves on her, through some sort of evolutionary mechanism. She does not want to understand why these thoughts are here. She is afraid of the why. All she knows is that they are there and this is her life that she has made for herself. Success in the face of all odds. Attaching her hook to the nearest shooting star. In this industry, hell—in any industry really—it's all you can do. She is one of the lucky ones. At least she had foresight and enough luck to see what needed to be done. 
 
Oh but if it should all end now. 
 
What's next?
 
The gulls are crying as the fisherman lifts his rod into the air and sails the line into the foaming surf. What will he catch? Are there fish out there, even now swimming about, oblivious to the fate which on this day has befallen them?
 
Sylvia has sand caked on her bear feet. She has carried her shoes between both hands. She sits on a bench at the end of the boardwalk leading from the beach to the parking lot and tries to concentrate on her present state of mind. She does her breath exercises like her psych—therapist—taught her to do in stressful situations. She concentrates on the current state of her being, on the grains of wood nail to boardwalk at her feet. The feel of the cool westerly wind at her left side, with it a hint of icy chill in the air, still too distant to yet comprehend. The gulls overhead and even the traffic buzzing past like a walkie-talkie through a phase shifter out on the 101.
 
There is some deep rising emotion present in her now that she cannot identify. It is as though the tide has shifted and instead of running from it, she is now chasing it into the frothy sea.
 
The shifting cloud cover brings a cold wind Sylvia has not dressed for, so she stands up and trudges across the road to Perry's.

Monday, April 30, 2012

The Monkeys of Silver River

I've been hiking a lot lately. I'd say last week I probably did close to 40 miles through the Lower Hillsborough River Wilderness Preserve, mostly on the Old Fort King Trail and the Dead River Park Trail. 

But that's not what this is about.

Although it is sort of related. I was hiking along the Dead River Park access road, which is really beautiful by the way--fully shaded by a giant oak canopy for like two straight miles--but so there I was--hiking along in the dead heat of the afternoon, lugging along my pack and my sore legs when I spotted a troupe of feral boar in the brush just off the trail


 I've heard some stories about these pigs. They can get really mean. Most of the time, they'll run from you. But, occasionally they get kind of ornery. Sometimes, they'll charge and gore at you with their tusks. It's rare and not usually deadly but--shit. That's kind of scary.

But so I was walking along, watching these pigs run off into the brush, snorting and carrying on like I was some kind of monster coming to get them.

This got me thinking. 

When I tell folks I like to go for REALLY LONG walks through the woods by myself, they usually ask me: aren't you scared?

Honestly, there isn't much to be scared of out there. Pigs could be scary. But I carry a knife and no potential bacon is gonna take me down without a fight. 

There are a few things in Florida which are scary:

 And yes the picture of the Black Widow is intentionally not very realistic. 

Panthers are beautiful animals. I don't know of any attacks on humans but it's still crazy to think about big cats roaming around out there while I'm hiking by myself.

But so I got to thinking, while I was hiking, about a particular place--Silver River State Park 

It's a great place to go for a picnic and a hike. My family always stops in when we're in that part of North Central Florida.

But so I can remember hiking one time through Silver River and we were coming up to the river on the trail and I saw something that I never thought I would see in Florida

 
Take a moment to find it. Yeah. That's a fucking monkey.

Evidently, there is a small population of feral Rhesus Macaques living along the Silver River. And they're thriving.

We were walking up to the river, approaching the dock, and I swear to you, one of the bigger ones jumped up on the railing and just stood there, watching us. It was the creepiest thing I'd ever seen.

But it was also kind of cool. A monkey...in the wild...in Florida.

That was the day I decided to start carrying a knife whenever I go hiking. Not saying this chill little mammal wanted anything to do with that. But it's good knowing I have tools and he doesn't.

There was a rumor in the area that the monkeys had escaped during the filming of a Tarzan movie back in the '30s in the Ocala National Forest.

Evidently there is another rumor that a local tour-boat operator released the monkeys in an effort to make his tour more exciting. 

This is where the story gets interesting. When you watch the Tarzan movie, there are no monkeys in it. That is the whole basis for the tour-boat operator theory--because there were no monkeys in the Tarzan film, the monkeys must have come from the crazed tour-boat operator. 


I don't know which I believe. It seems possible that there were monkeys on the set of the film and that they just never used them (maybe because they *gasp* escaped!). But then again, Florida is famous for bringing out the most industrious of marketers for tourism




 Still...whatever the story behind it...there are monkeys running wild in my home state (not to mention anacondas

This is a pretty crazy place we live in when you stop and think about it a for moment


(btw, none of those photos are mine.)
 

Wednesday, April 25, 2012

Aliens

Dad keeps telling me about how him and mom were almost abducted by aliens a few nights ago. 

Okay, well first of all, I think it's kind of sweet that him and mom have started playing ping-pong every night down at the clubhouse in the 21 and up community they moved to a few years ago after selling the house. It's good for them. They don't socialize--it's easy to see where I got that from. I'm pretty sure neither of them were too excited to move into such a place but Mom was sold when she heard the words "swimming pool." I guess sooner or later, you have to face up to the fact that you're getting older. Life is moving forward, without any abandon.

I keep thinking about the story Dad tells me. 

The neighborhood is in a pretty remote part of Florida, on the east coast, well south of the bright lights of Daytona's beach and New Smyrna's oozing suburbs. North of the Cape and the World's first wildlife refuge. North of Kennedy and Titusville and Melbourne and Orlando. Basically, the backwoods. 

No lights around. Dad says they were walking the dog one night, coming home from a heavy match-up at the clubhouse. They were getting to a part of the road where there is nothing but water on either side. The dog was distracted, pulled off onto the shoulder. Mom noticed a light in the middle of the road--described as a pale yellow light, circular in diameter, directly in the center of the road. 

Dad tells me this light stayed in the center of the road for about eight seconds--just long enough to notice. And then it disappeared. Dad says he then turned around to see if there was anyone around but being as it was around 2 am, the neighborhood, which is usually pretty dead to begin with, was particularly quiet at that hour. He says, with no small degree of uncertainty on his part, that he saw a light in the sky flashing away, like a shooting star, in less that a second. 

I've started taking Valarian Root for my nervousness and it gives me crazy, nearly lucid dreams. 

I had a dream the other night about Dad's story. I dreamed about Mom and Dad getting abducted and disappearing forever. 

I haven't had a dream so vivid since I made the Ouija board and later dreamed about a seance involving demons trying to suck me into the nether world and the aunt who was like a mother to me that cancer devoured a few years back. She was trying to explain something to me. The wind was swirling and right as the demons started lifting my feet off the ground, there she was, calm as can be, telling me something that seemed incredibly important at the time. It could have been the secret to the universe but I forgot it by the time my eyes wrenched open.

I drowned two capsules of valerian with cheap beer about an hour ago. The pages of my bio textbook were swaying like crops in the breeze. I can't even say for certain if I'm really awake right now. All I can think about is how I can't remember any good dreams...only the really vivid nightmares. 

I think that's because my mind knows the good dreams aren't real. They're just a reflection of my desires. It's the bad ones that make me question what is going on up there. Those are the ones that stick around, like a bad taste in the mouth. It's like they're trying to tell me something and all I can think about is wrenching my eyes open. 

Tuesday, April 17, 2012

Observations

Was sitting at the food court in the Marshall Center today when I noticed a girl, sitting by herself a few tables away. For some reason, I was compelled to create a written sketch. I mean, sure she was pretty and all but that wasn't why. There was a certain sadness to the way she sat there, by herself, simply eating. 


She was building a castle out of the paraphernalia cluttering the table, pretending to busy herself with information on the dessert menu resting between the salt-and-pepper shaker and the napkin holder. She sat alone at a four seater table, comfortably wedged into the crutch of her seat. The chicken sandwich never left her hands and was never placed on the table. She ate slowly, purposefully, but with a hint of remorse and gratitude at the food's ability to distract her troubled mind. When she was done, she carefully folded the meal's packaging into a tight crumble. 

Everyone here busies themselves with conversation or their computer. She alone sits alone and unfettered by distraction, choosing instead to savor the meal exclusively. 


I don't usually stalk people like that/\. Sometimes I'm just struck by the way certain people carry themselves and I can't look away. 

I feel like I need to start doing this exercise more often. 

Finals?...ain't nobody got time for that

This right here is my jam.

Sunday, April 8, 2012

The Dark Side

I was in the darker part of youtube today and I stumbled upon something that I hadn't seen in years.

It still makes no sense but it was directed by Renny Harlin and it has the Scorpions, so it's pretty much the GTE (greatest.thing.evar)


I was inspired at the time to make my own chase scene with some friends. Unfortunately, I recorded over the best parts. This misfortune remains one of the great tragedies in my life.

Tuesday, April 3, 2012

Music is the broom of the system

I have this weird obsession.

I love film music.

Not like musicals. No, actual orchestral soundtracks to motion pictures.

See, when I was a kid I was obsessed with orchestras. The way each one sounded different and unique. I would listen to a different recording of the same piece and try to figure out the differences in arrangement. Yeah, I didn't have a lot of friends during this period of my life.

There was something particularly unique about film scores though that grabbed my attention more so than straight up and up classical (though I do listen to Rachmaninoff whenever I feel overcome by melancholia).


And this one when I feel like taking over the world:



But I digress

Orchestras--

Something about such a large number of musicians playing together and sounding so amazing that just captivates me.

Some of my earliest memories of film are

Danny Elfman's Batman

John Williams Jurassic Park

From there I was hooked. These were exciting movies with awesome soundtracks played by dynamic, huge Hollywood orchestras.

When I was a teenage and most other kids my age were listening to whatever, I was saving my pennies for the Deluxe Limited Edition Star Trek Soundtrack, because well honestly, Jerry Goldsmith was maybe the greatest film composer to ever live (except for maybe John Williams, but it's really close)


Take for example-- Rudy, a movie no one outside of sport fans still remember. But then there was that score by Jerry Goldsmith that just blew the lid off the place--this track alone has been in like twenty movie trailers in the last fifteen years




Of course, Goldsmith's crowning achievement, what he is most remember for is his theme for Star Trek: The Motion Picture

 

And see it's not so much the films that do it for me, though I will admit that there is nothing more likely to bring me to tears than a moving piece of music set to beautiful imagery






(And speaking of differing arrangements, check out the 3 different arrangements used for the film, the version used on the soundtrack, and in the LOTR symphony...cough...nerd)(but hopefully, constant reader, you see my point--the music still retains it's power, despite the differences in performance)






But honestly, it's the music that draws me the most--the power and spontaneity of 100+ musicians working together to make something beautiful. In fact, the film can be shit as long as the music is good



(Actually Cutthroat Island isn't that bad of a movie)

 But so this is all really bombastic stuff. I'm not gonna sit here and try to say that I don't also enjoy the softer, mellow stuff too








I don't know why...I think this kind of music just appeals to me as a story teller...it's so visual, all you have to do is close your eyes and use your imagination and BAMstoryidea.